SOUNDING DIY + DIRTY ELECTRONICS CONCERT
– Saturday, 26 May 2017 Cafe Oto, 8-11pm, £5,00 Advanced, £6 OTD
With: Dirty Electronics, Participant of the workshop.
Supported by Suso Flores and Crowley Engel II – Modular Set –
SOUNDING DIY + RECORD LAUNCH & CONCERT
-Saturday, 10 June 2017 Iklectik Art Lab, 8-11p, £5,00 Advanced, £6 OTD
With: Bioni Samp, Prolonged Version, Toni Quiroga, Optonoise.
Known for artist, musician, inventor, beekeeper
soniferous engine; Charlie Wheatley James Shearman
Music composed with light
working with sound, music, electronics, obsolete and organic matter.
ONLINE ALBUM PURCHASE AND RELEASE
SOUNDING DIY + STEPHEN CORNFORD CONCERT
-Saturday, 09 September 2017 Iklectik Art Lab, 8-11pm, £5,00 Advanced, £6 OTD
With: Stephen Cornford, Nnja Riot, Psychiceyeclix.
reconfiguring consumer electronics
Improvised glitch guitar/
Circuit Bent Electronics / Visuals / Music
SOUNDING DIY + FINAL CONCERT
-Saturday, 07 October 2017 New River Studios, 8pm-11pm, £5,00 Advanced, £6 OTD
With: TMS, xname, Richard Crow, Bioni Samp.
TMS is an experimental noise industrial project by Berlin-based artists Malte Steiner (DE) and Tina Mariane Krogh Madsen (DK). The format is improvisational sound pieces and concerts built out of Steiner and Madsen’s sonic interactions, where noise-scapes and complex structures emerge from intense layering of various in- and outputs. The physical interaction with materials is an important part of TMS’ concerts, and to create a performative and visual sound experience. TMS use primarily various effect pedals and self-built controllers to create their sounds, sometimes combined with Pure Data. Each chosen element is very important for the whole, where the combination of these plays a vital role in the compositions. The inputs can be analogue as well as digital; modulated, transformed and distorted.
Artist working in the field of experimental audio research, live performance and site-specific installation. He utilises sound and noise in a performative way, for its disruptive and subjective qualities and above all for its psycho-physical implications for the listener and viewer.
Self-made instruments and open source software for live performance and real-time installation, expanding from visual and software art to electronic music. Her work, ultimately cryptic, ritualistic and noise, engages in the construction of perceptual phenomena and environments that explore the concepts of illusion and the virtual, stimulating new forms of perception and questioning the notion of materiality and presence, and the role that memory, experience and eventually our ancestors have in the formation of identity.
‘As an electronic music producer and seasonal beekeeper. I was inspired to learn more about bee frequencies and make a creative work that incorporated these bee frequencies in the hope of raising awareness about bees and their increasingly fragile ecology system.