Medial Ages, a Live AV Performance by Laura Netz consisting of experimental electromagnetic power noise with DIY circuitry and a handmade synth. DIY oscillators, based on Schmitt triggers, using optoelectronic components produce a repetitively modulated wave. The strobe light controls the circuits modulating the signal. The light triggers sonic signals. In a sound/light integration, the modulation of tone activates an interactive system based on DIY. It is a self-generated sonic machine creating a syncopated, high-pitched, noisy beep. The flickering from the strobes assaults the sense to create neurological after-images. The audiences’ subconscious and altered states are activated to an open experimentation of feelings and knowledge. More audio @ Archive.org . Download PDF here . More videos on my YouTube channel.
Laura Netz (Barcelona, 1982). Participant at hacking culture and noise scene has taken part in many international events, such as exhibitions, workshops, conferences, and concerts. As a Live Performer, she has acted in various festivals and events in London and overseas: Noizemaschine, London; XX Studio, Montreal, Canada, 2015; Noise Toys Orchestra, Cafe Oto, London, 2015; Sonica FM, London, 2015; OneBeatEcho, New York, US, 2014. In 2014, she released her first record at the [EdP069] Editora do Porto. In 2015, she launched her independent record label EAM Elektronische-art-and-music. She is well-known in London noise scene where she performs under the moniker Laura Netz / Medial Ages. Nowadays, she is promoting the series Queer+_Noise taking place in London, various venues, where inviting different artists from the LGBT community influenced by noise, experimental, electronics and open source music.
In the final act of the night, Medial Ages encompassed a presentation of visual oscillators that produce repetitively modulated waves. The oscillator, a light source, controls the circuits modulating the signal in an integration of sound and light. The most ‘noisy’ performance of the night, the repetitive nature of the sounds was uncomfortable, particularly when paired with the strobe light. Recalling The Bug’s statement that, ‘not all music has to make you feel good’ [sic], I embraced the convulsing noise and agitating light, and eventually found something else entirely. When it was over, I felt a cathartic release that differed from dancing all night, but one that was nonetheless effective. The sheer force of stimulation floods your brain, and so when taken away, I experienced something akin to meditation, but in reverse. Rather than clearing my mind of thoughts, the silence aided me in freeing up my mind. LooseLips, Author Josh Gray, Published, Tuesday, 9th October 2018, http://loose-lips.co.uk/blog/queer-noise-a-psycho-social-experiment
2019 Listen to the Voice of Fire, Ceredigion Museum, Aberystwyth, UK.
2018 MUSLAB, Mexico.
2018 Magia Roja, Barcelona.
2017 Gliwice, Poland.
2016 Cafe Oto, London
2016 New River Studios, with oMMM, Eden Grey, and Scenes from Salad
2015 Sonica FM, London
2014 OneBeatEcho, US
2014 Sound Art Event, Antic Forn, Barcelona
2018 MUSIC FOR DIY ELECTRONICS – Soho Radio
2017 Live @ Primal Uproar
2016 Live @ Spatchcock
2016 Experimental Sound Gallery, St. Petersburg, Rusia live performance
2016 live at dronica, london